Friday, May 15, 2009

“Tales of Grog and Scrod” a collaboration by Aaron Thompson and Mark Lapage

Image Courtesy of Artlesnyc Studios, (c) Aaron Thompson, "Liberty or Death"


Artlesnyc Studios

202 Rivington Street

NY NY

www.artlesnyc.com


“Tales of Grog and Scrod” a collaboration by Aaron Thompson and Mark Lapage

An avant guard alternative art space in the back catacomb courtyards of an old tenement apartment building hearkens back to the days of bohemian art happenings and events once prevalent in the East Village/ Lower East Side.


“Tales of Grog and scrod” is a collaboration installation featuring Aaron Thompson’s large installation piece “Liberty or Death” with selected works and resident writer Mark Lapage’s tale set in the 1900’s of old New York. Lapage presently writes for the Montreal Gazette and has been published in numerous publications on line and in print.


Thompson's 10 foot contemporary version of the lady of the harbor stands on a pedestal of abstract tenement buildings, donning a toga made from 20 feet of painted parachute material, her torch held high by painted limbs made from pvc pipe. A lighted skeleton head with spiked crown glows both a beacon of hope and warning surrounded by 3 large canvas panels depicting the skyline from both sides of the river derived from Thompson’s photographs. Constructed from basic building and sculpture materials amidst the well worn and recently built walls of the surrounding buildings, the work pulls the history of the areas inhabitants into the present day ongoing struggle between the community and gentrification. The poor and almost non-existent middle class residents continue their battle for survival in the area as they like the buildings themselves are pushed out, and demolished in the name of progress.


Mark Lage’s “Tale of Grog-n-Scrod”, is set in Old New York a history barely visible now from recent years of gentrification whose undying spirit remains. We follow One Eyed Thom, the scourge, outlaw buccaneer who prowled those long forgotten streets of old in Lower Manhattan as he fights the likes of the Hook Gang and the Steamboat Squad avenging the local immigrant residents striving to survive the harsh conditions of the day.

Lapage leaves us with many profound quotable lines to contemplate, most of which are on page six. Thompson’s smaller paintings and prints of pirates and skeletons are staggered on the wall adjacent to the printed story.


Constructed from found, industrial and traditional materials, Aaron Thompson creates an environment of wonder with a conscious. Influence from varied artistic movements, the strongest being Dada and early pop is evident throughout the multi-level out door project space. A recent Puffin Grant recipient, Thompson is also the founder of artlesnyc studios, a non-profit that produces and hosts a myriad of art and education programs, workshops, an artist residency and selected projects from artists and organizations. Located in the Lower Eastside, the space is an evolving work in progress in it’s own right. Several works by Thompson are staples if not signature pieces of his style remain on permanent view. His work reflects both his personal persona and his visionary ambitions of “how art can and does affect the world in the broadest sense”.


For a full event schedule or further information on projects please contact: Aaron Thompson

www.artlesnyc.com


Wednesday, April 08, 2009

Envoy Enterprises, Split; Catherine Tafur Solo Exhibition

(c) Catherine Tafur "Filter", image courtesy of the artist

Envoy Enterprises

131 Chrystie Street

NYC, NY

Split; One Night Only, Solo Exhibition

Catherine Tafur presents works on canvas, paper and a live performance at Envoy Enterprises.


“Cha- Cha- Cha Changes, turn and face the strange...” Catherine Tafur’s works explore ideas surrounding gender, sexuality and loss of innocence through images of androgynous figures painfully mutated and transformed.


These “changelings” bare their innocence, pain, sexual pervasiveness and mutations openly to the viewer. Both Beautiful and disturbing, some recall mythical combinations of human – beast not made from divine sources but rather painful interventions. “Bisters”, drawing on paper depicts the boy- girl figure with small horns, a snout and blisters forming on the small chest. The body language also ambiguous seems alarmed at s/he’s discovery reacting as if caught off guard poised to run for safety or making a defensive stand towards the unknown pursuer.


(c) Catherine Tafur, "Blisters" image courtesy of the artist



“Family” drawing on paper, depicts two larger pubescent figures with gas mask-like head gear holding the small child off it’s feet as they wrangle a tiger mask over it’s head. The suspended child hangs motionless with arms revealing more of a startled fear of an unknown result similar in feeling to stories of forced clitorectomies on young girls. Though the older figures clearly possess both gender physicality’s it is more the stance that suggests the more masculine of the two alluding to the offense of the mutation is from both genders.


(c) Catherine Tafur, "Family", image courtesy of the artist


Catherine Tafur’s performance, a minimal set up consisting of a drawing easel with a drawing of a window with a tree outside. On a small pedestal; charcoal, lipstick, hand mirror, eraser, knife and clear large lidded jar. Tafur plays a soundtrack comprised of therapy sessions, phone messages, readings from the SCUM manifesto by Valerie Solanas and sounds sampled from online pornography layered onto a guitar piece. She draws, erases, re-draws, cuts, and strikes out, the figure and structure of the work continually redefining through process. Her acts are synced with the recording. One memorable act in particular was watching her applying lipstick to her mouth as she kisses the figure’s groin area that is left blank. She then kisses the torso as if healing the wound in an act of love.


And so it begins...

The sound begins with Tafur saying, "Once upon a time, I lay naked, trembling and crying on a bed. I had nothing. I looked out the window and I saw a tree."


Tafur states, “the performance takes as it’s initial narrative, an autobiographical account of past sexual trauma. It then morphs into a hateful rage that becomes directed to the self. The piece is a metaphor about the creative process and the transformation of conflict in art. “


This was Catherine Tafur’s first performance piece. The audience gathered around sitting on the floor or standing. My knee cracked a bit getting up and well worth the effort. I’d gladly do it again to catch her next performance.

How it ends....? I’ll leave that surprise to see for your self.


You can find the performance in it’s entirety on You Tube or right here on the side bar.

www.youtube.com/watch?v=RTGVbPrIPFI

For more information on Catherine Tafur’s work check her website;

www.catherinetafur.com

Friday, March 20, 2009

Greene Contemporary: Welcome To My World

image courtesy of the Gallery
(c)
Billy Maker, Platform-outpost-level-system, Installation view, right wall, view 1, 2008-2009


Welcome To My World; Group Exhibiton featuring Kevin Cyr, Andrew Junge, Billy Maker, Shawn Pettersen, Jean-Pierre Roy



Worlds great and small invite the imagination to wander through diverse environments and situations. Billy Maker's work immediately drew my attention. Maker's multi-dimensional dioramas made from delicate sticks of wood inserted directly into the wall with small platforms and miniature spots of grass at times no larger than your pinky nail kept my focus. Fragile connecting structures intersecting with the shadows cast were reminiscent of high dive platforms and ancient indigenous cave cities were transformed into a contemporary or future scape. Curiously, one large shadow cast underneath loosely formed a folding gate. Intentional or not, it presented another direction to explore. Though the process of construction is delicate, the structures issue an underlying presence of strength.


Greene Contemporary
9 Clinton Street
New York, NY 10002
T (212) 228.8282
F (212) 228.7738
Th-Su 12 pm - 6 pm
info@greenecontemporary.com
www.greenecontemporary.com

Thursday, March 12, 2009

Purgatory Pie Press, Postcard Exhibit

Purgatory Pie Press
Postcard Exhibit - Closing Party
Square One Gallery
1 Union Square West
NY NY

The Postcard show at Square One Gallery presented small works by artists and writers with readings by collaborators at the closing.

The concept peaked my interest, and rightly so. Unlike the usual small works or post card shows, it was not packed to the brim causing your eyes to flinch at the massive visual display. An array of themes and materials could be found including quite a few with a sense of humor.

The readings were a wonderful added bonus, in particular Bob Holman's reading "the box" piece. Jeff Wrights "plan b" which he let me read will be available soon. You'll have to wait to order through the site like me. Such is life, all good things are worth the wait.

Readings by collaborators include: Bob Holman, Holly Anderson, Bob Herman, Jeff Wright, Georgia Luna & others...

To purchase works including box sets of mixed works or for further information and schedule.
www.PurgatoryPiePress.com
19 Hudson Street #403
NY NY 10013
212-274-8228

Sick Love: Inaugural Exhibition

Catherine Slip Art Space

22 Catherine Street, 2nd. Fl.

NY NY, 10038

www.catherineslip.blogspot.com


SICK LOVE: Inaugural Group Exhibition curated by Gillian Sneed.

It took a bit of wandering around china town with my friend to find the space, but I have no sense of direction and neither did he so it was expected. From the little crowd that had gathered in front of the building, it was obvious we’d found the place.


The title says it all. Works exploring all manor of interpretations through text, video, works on paper paintings, photographs...could be found. Featuring the works of artists, writers and curators a mix or viewpoints is presented. Packed crowds slipped and slide around the space as they tried to get a good look at the work. Of note was Jason Osborne’s works on paper with notes. His mixed media piece “Untitled”, depicted a cloud made from small-collaged pictures of breasts with a red blood like rain pouring down. The works were installed with his notes in various areas. Though he explores fear, fantasy, fetish, I wanted to take some of the notes and place on or next to the works according to my own feelings of what goes where.


All the chat made it hard to hear the video screening, but worth going back on a quieter day. All in all, I look foward to seeing what this new space produces in the coming year.

Check their website for upcoming events and get a map of the area if your not familiar with the area unless you’ve time to wander.